Klabe says, “Working in pours re-connected me to the creativity and imagination I experienced in art school. The direction of the wine dictates how distorted a figure may or may not be, and no longer is representation a necessary part of my painting. There is no sketching to plan the drawing, I go right to the pour with a marker and try to reign in the happy chaos of the pour.
“This is a self-imposed discipline that energizes me and encourages me to think that there are no ‘mistakes’. Three eyes and 12 fingers are actually quite the norm. The pours cause people to look, to reflect, to think and yes – to laugh. The colors and the energy draw the eye and conversation ensues. The fact that the pours get their start from wine and beer only adds to the conversation.”
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